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Picasso's War cover

Picasso's War Summary

Hugh Eakin

Read time icon 18 mins
4.7

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"Picasso's War" by Hugh Eakin chronicles the transformative journey of modern art in America, anchored by the pivotal relationship between a prominent New York attorney, John Quinn, and the revolutionary artist Pablo Picasso. The narrative commences in 1911, when Quinn, at the age of 41, encounters a striking charcoal drawing by Picasso at a humble gallery known as 291. This marks the inception of Quinn’s fervent advocacy for modern art, as he is enchanted yet perplexed by the Cubist style that challenges traditional artistic norms.

Throughout the book, we follow Quinn’s evolution from a successful attorney with literary connections to a passionate art collector determined to bridge the cultural divide between Europe and America. Despite the initial public ridicule of modern art, epitomized by events like the notorious Armory Show in 1913, Quinn plays a critical role in fostering an appreciation for innovative art forms amidst a largely resistant American audience. His tireless efforts culminate in significant milestones, including lobbying for the repeal of high import taxes that hindered American exposure to European modernism.

Eakin introduces us to a cadre of influential figures who accompany Quinn on this journey, including European art dealers like Daniel-Henry Kahnweiler and Paul Rosenberg. Their contrasting approaches to representing Picasso and other modern artists illuminate the varying strategies employed to navigate the complexities of the art market during an era rife with turmoil, particularly with the outbreak of World War I. The narrative delves into Picasso’s evolving relationship with these dealers and his burgeoning reputation as one of the most significant artists of the time, illustrating the interconnectedness of artists and dealers in the quest for recognition.

As Quinn grapples with his own mortality due to illness, he leaves behind an extraordinary collection of over 2,500 artworks, which ultimately faces a bleak fate due to the prevailing skepticism surrounding modern art. The establishment of the Museum of Modern Art (MoMA) in 1929 by prominent socialites including Lillie P. Bliss and Abby Aldrich Rockefeller serves as a critical turning point. Under the directorship of Alfred Barr, MoMA becomes a sanctuary for modern art, showcasing the likes of Van Gogh, Gauguin, and of course, Picasso, facilitating a cultural shift that fosters broader acceptance and appreciation of modernist aesthetics in America.

Through the lens of post-war America, Eakin highlights the profound impact of landmark exhibitions like "Picasso: Forty Years of His Art," which not only captivated audiences but also redefined artistic expression across the nation. The successful reception of these exhibitions demystifies modern art, allowing it to resonate with the American public and inspire a new generation of artists.

Central themes in "Picasso's War" encompass the struggle for artistic recognition, the resilience of visionaries amid societal opposition, and the transformative power of creativity. The narrative speaks to the idea that art serves as a reflection of cultural identity, demonstrating that the path to acceptance often requires challenging established norms and embracing the unknown.

Ultimately, Eakin’s account is a poignant testament to the indomitable spirit of those who championed modern art, showcasing how their dedication recast American cultural landscapes forever. The book invites readers to appreciate the enduring legacy of modern art and the potent intersection of passion, perseverance, and innovation in shaping artistic expression.

About the Author

Hugh Eakin frequently writes for the New York Review of Books and serves as a senior editor at Foreign Affairs. He has written a lot about art and museums for magazines like the New Yorker and Vanity Fair.